Lana Del Rey has recorded a new song called “Wait for Life” for Emile Haynie’s new album coming out in October!
According to the producer, this song that contains vocals of Lana will probably become the second single.
Most recently, Emile produced Eminem’s new single, “Guts Over Fear,” which he debuted following the VMAs on Sunday night. Listen to the song below:
Two days after performing at Rock en Seine, Lana Del Rey was spotted shopping in Paris. She was also supposed to give a private concert at Trianon on August 25 but unfortunately it got postponed and rescheduled to September 14. More information here.
Candids > 2014 > Out and about in Paris (August 26) x— 14 Pictures were added —x
Lana Del Rey was spotted out and about in Los Angeles alone on August 7 and the day after she was seen with Francesco Carrozzini in West Beach.
Candids > 2014 > Out and about in Los Angeles (August 7) x— 5 Pictures were added —x
Candids > 2014 > Spotted at Abbot Kinney, Venice Beach (August 8) x— 17 Pictures were added —x
Lana Del Rey covers Fashion Magazine Canada – September 2014 Issue!
Magazines > 2014 > Fashion Magazine (September – Canada) x— 3 Pictures were added —x
Last update May 18, 2015: More photoshoot pictures and (un)edited outtakes
Photoshoot > 2014 > For Fashion Magazine by Chris Nicholls x— 29 Pictures were added —x
Read part of the interview:
On her current fashion transformation:
“There has been an evolution. It came with the music. I love the idea of being able to get up on stage in my favourite denim shorts and my favourite linen shirt and wear a pair of gold bands and diamonds. It is so freeing. When I first got on stage—four years ago—I felt like what I had to do was put a dress on and be presentable in some way.”On how her relationship with rocker Barrie-James O’Neill fueled Ultraviolence‘s lyrics:
“I’m a dark character and he very is an even darker character than I am. Trying to get some consistency and some normality within the dynamic of that relationship has been impossible. Songs like “Shades of Cool” came out all that.”
Full interview here.
Lana Del Rey has been featured on the cover of many magazines lately and for each one of them she took different photoshoots that you can find below. All rights reserved to the photographers.
Photoshoots > 2014 > For Complex Magazine by Neil Krug x— 12 Pictures were added —x Photoshoots > 2014 > For Ultraviolet White by Neil Krug x— 4 Pictures were added —x Photoshoots > 2014 > For Rolling Stone US by Theo Wenner x— 3 Pictures were added —x Photoshoots > 2014 > For Madame Figaro by James White x— 22 Pictures were added —x
Find more on our gallery here.
Lana Del Rey took her social networks to tease the upcoming new music video for her next single, ‘Ultraviolence’, while wearing a wedding dress. Read more here.
‘Ultraviolence’ music video, recorded in Los Angeles, is directed by Nabil Elderkin (Kanye West, Nicki Minaj, John Legend, others) and counts with Adam Powell on the team. It is also sponsored by Vice.
Lana Del Rey is featured on the brand new music video of Spinnin’ Records’ artist, Dj Don Diablo. You can check it below:
Lana Del Rey is featured on the cover of American magazine, Complex – August/September issue! Below you can find the shoot!
Update: As opposed to what press is saying, Lana Del Rey never said to Complex magazine that she has ‘slept with a lot of guys in the industry’, once again, they misinterpreted her! She was just talking about the meaning of her song ‘Fucked My Way Up To The Top’. Read the truth here.
Photoshoots > 2014 > For Complex Magazine by Neil Krug x— 13 Pictures were added —x
Read part of the interview:
Let’s talk Ultraviolence. The crop of the photo on the album cover is similar to the crop of your first two album covers. I liked that, I wanted the continuity. I didn’t have that for the album cover at the time and I wanted it to be a continuation of the story. I did like the idea of it being in black and white so that there was, literally and figuratively more to be revealed. Even color-wise.
You wanted a continuation in aesthetic for this album cover, is that something that was important to you musically for Ultraviolence as well? Yeah. Not being misleading in terms of your personal aesthetic, like your psyche coming through design-wise and musically—I like continuity.
You have this way of exacting your creative vision through so many different parts of your art—music videos, lyrics, tone and the melody, style of dress. Are those things that you plan ahead when you think about an album? Is it a concept that grows from one idea? I don’t know. I was in college at Fordham when I was 18. I was living between Brooklyn and New Jersey and I was working with this guy who was more famous than anyone I had met at the time, this producer David Kahne. I had that record—you know they shelved it for two years—and I had all this time to think about what was really important to me and what I actually wanted to do if I had the opportunity to do what I wanted. I knew that I wanted to make life easy for myself in the way that I would always be living in a world I constructed and whatever felt true to me, regardless of however that appeared to other people. That definitely extended to song titles, whether I shot in black and white, hair color, things like that. It’s not really something that I planned ahead. I had a sense that I wanted the world I lived in to be really personalized to what I liked.
When I hear the words “ultra” and “violence,” I think about WorldStarHipHop. What does the phrase mean to you? That’s funny. I feel connected to two emotions—aggression and softness. I like that luxe sound of the word “ultra” and the mean sound of the word “violence” together. I like that two worlds can live in one.
Full interview here.
